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- Jane Austen's (1775–1817) distinctive literary style relies on a combination of parody, burlesque, irony, free indirect speech and a degree of realism. She uses parody and burlesque for comic effect and to critique the portrayal of women in 18th-century sentimental and Gothic novels. Austen extends her critique by highlighting social hypocrisy through irony; she often creates an ironic tone through free indirect speech in which the thoughts and words of the characters mix with the voice of the narrator. The degree to which critics believe Austen's characters have psychological depth informs their views regarding her realism. While some scholars argue that Austen falls into a tradition of realism because of her finely executed portrayal of individual characters and her emphasis on "the everyday", others contend that her characters lack a depth of feeling compared with earlier works, and that this, combined with Austen's polemical tone, places her outside the realist tradition. Often characterized as "country house novels" or "comedies of manners", Austen's novels also include fairy tale elements. They have less narrative or scenic description and much more dialogue than other early 19th-century novels. Austen shapes a distinctive and subtly constructed voice for each character. Her plots are fundamentally about education; her heroines come to see themselves and their conduct more clearly, and become better, more moral people. While Austen steers clear of the formal moralizing common in early-19th-century literature, morality—characterized by manners, duty to society and religious seriousness—is a central theme of her works. Throughout her novels, serious reading is associated with intellectual and moral development. The extent to which the novels reflect feminist themes has been extensively debated by scholars; most critics agree that the novels highlight how some female characters take charge of their own worlds, while others are confined, physically and spiritually. Almost all Austen's works explore the precarious economic situation in which women of the late-18th and early-19th centuries found themselves. Austen's novels have variously been described as politically conservative and progressive. For example, one strand of criticism claims that her heroines support the existing social structure through their dedication to duty and sacrifice of their personal desires. Another argues that Austen is sceptical of the paternalistic ruling "other", evidenced by her ironic tone. Within her exploration of the political issues surrounding the gentry, Austen addresses issues relating to money and property, particularly the arbitrary quality of property inheritance and the precarious economic position of women. Throughout her work there is a tension between the claims of society and the claims of the individual. Austen is often considered one of the originators of the modern, interiorized novel character. (en)
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- "I will not adopt that ungenerous and impolitic custom so common with novel writers, of degrading by their contemptuous censure the very performances, to the number of which they are themselves adding—joining with their greatest enemies in bestowing the harshest epithets on such works, and scarcely ever permitting them to be read by their own heroine, who, if she accidentally take up a novel, is sure to turn over its insipid pages with disgust ... Let us not desert one another; we are an injured body. Although our productions have afforded more extensive and unaffected pleasure than those of any other literary corporation in the world, no species of composition has been so much decried." (en)
- "'But I [Fanny] do talk to him [Sir Thomas] more than I used. I am sure I do. Did not you hear me ask him about the slave-trade last night?'
'I [Edmund] did—and was in hopes the question would be followed up by others. It would have pleased your uncle to be inquired further.'
'And I longed to do it—but there was such a dead silence! And while my cousins were sitting by without speaking a word, or seeming at all interested in the subject, I did not like—I thought it would appear as if I wanted to set myself off at their expense, by shewing a curiosity and pleasure in his information which he must wish his own daughters to feel.'" (en)
- "Then," observed Elizabeth, "you must comprehend a great deal in your idea of an accomplished woman."
"Yes, I do comprehend a great deal in it."
"Oh! certainly," cried his [Darcy's] faithful assistant [Miss Bingley], "no one can be really esteemed accomplished who does not greatly surpass what is usually met with. A woman must have a thorough knowledge of music, singing, drawing, dancing, and the modern languages, to deserve the word; and besides all this, she must possess a certain something in her air and manner of walking, the tone of her voice, her address and expressions, or the word will be but half-deserved."
"All this she must possess," added Darcy, "and to all this she must yet add something more substantial, in the improvement of her mind by extensive reading."
"I am no longer surprised at your knowing only six accomplished women. I rather wonder now at your knowing any." (en)
- "She [Lady Bertram] was a woman who spent her days in sitting, nicely dressed, on a sofa, doing some long piece of needlework, of little use and no beauty, thinking more of her pug than her children, but very indulgent to the latter when it did not put herself to inconvenience ..." (en)
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- — Jane Austen, Northanger Abbey (en)
- — Jane Austen, Mansfield Park (en)
- — Jane Austen, Pride and Prejudice (en)
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- Jane Austen's (1775–1817) distinctive literary style relies on a combination of parody, burlesque, irony, free indirect speech and a degree of realism. She uses parody and burlesque for comic effect and to critique the portrayal of women in 18th-century sentimental and Gothic novels. Austen extends her critique by highlighting social hypocrisy through irony; she often creates an ironic tone through free indirect speech in which the thoughts and words of the characters mix with the voice of the narrator. The degree to which critics believe Austen's characters have psychological depth informs their views regarding her realism. While some scholars argue that Austen falls into a tradition of realism because of her finely executed portrayal of individual characters and her emphasis on "the ever (en)
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- Styles and themes of Jane Austen (en)
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