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Aldous Huxley: Essais

An essay is defined as a short piece of writing on a particular topic. Aldous Huxley identified three categories or "poles" that essays can fall into: the personal/autobiographical, the objective/factual, and the abstract/universal. Huxley argued that the most satisfying essays effectively incorporate elements from all three categories. The word "essay" derives from the French word "essayer", meaning to try or attempt. Michel de Montaigne was the first author to describe his works as essays in the 1570s, seeing them as attempts to put his thoughts into writing.

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243 views

Aldous Huxley: Essais

An essay is defined as a short piece of writing on a particular topic. Aldous Huxley identified three categories or "poles" that essays can fall into: the personal/autobiographical, the objective/factual, and the abstract/universal. Huxley argued that the most satisfying essays effectively incorporate elements from all three categories. The word "essay" derives from the French word "essayer", meaning to try or attempt. Michel de Montaigne was the first author to describe his works as essays in the 1570s, seeing them as attempts to put his thoughts into writing.

Uploaded by

michaellla
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© © All Rights Reserved
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Download as DOCX, PDF, TXT or read online on Scribd
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An essay has been defined in a variety of ways.

One definition is a "prose composition with a


focused subject of discussion" or a "long, systematic discourse".[2]It is difficult to define the genre into
which essays fall. Aldous Huxley, a leading essayist, gives guidance on the subject.[3] He notes that
"the essay is a literary device for saying almost everything about almost anything", and adds that "by
tradition, almost by definition, the essay is a short piece". Furthermore, Huxley argues that "essays
belong to a literary species whose extreme variability can be studied most effectively within a three-
poled frame of reference". These three poles (or worlds in which the essay may exist) are:

 The personal and the autobiographical: The essayists that feel most comfortable in this pole
"write fragments of reflective autobiography and look at the world through the keyhole of
anecdote and description".

 The objective, the factual, and the concrete particular: The essayists that write from this pole
"do not speak directly of themselves, but turn their attention outward to some literary or scientific
or political theme. Their art consists of setting forth, passing judgment upon, and drawing
general conclusions from the relevant data".

 The abstract-universal: In this pole "we find those essayists who do their work in the world of
high abstractions", who are never personal and who seldom mention the particular facts of
experience.
Huxley adds that the most satisfying essays "...make the best not of one, not of two, but of all the
three worlds in which it is possible for the essay to exist."
The word essay derives from the French infinitive essayer, "to try" or "to attempt". In
English essay first meant "a trial" or "an attempt", and this is still an alternative meaning. The
Frenchman Michel de Montaigne (1533–1592) was the first author to describe his work as essays;
he used the term to characterize these as "attempts" to put his thoughts into writing, and his essays
grew out of his commonplacing.[4] Inspired in particular by the works of Plutarch, a translation of
whose Œuvres Morales (Moral works) into French had just been published by Jacques Amyot,
Montaigne began to compose his essays in 1572; the first edition, entitled Essais, was published in
two volumes in 1580. For the rest of his life, he continued revising previously published essays and
composing new ones. Francis Bacon's essays, published in book form in 1597, 1612, and 1625,
were the first works in English that described themselves as essays. Ben Jonson first used the
word essayist in English in 1609, according to the Oxford English Dictionary.

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