4 - Relative Keys
4 - Relative Keys
Relative Keys
The Circle of Fifths is more than just a pretty diagram The Progression of Chords
A chord progression is a series of chords put together in a pattern. In the beginning of the video, I play a chord progression in the key of F. That progression is F, B flat, C, B Flat, and back to F. Chord progressions are based around piano scales, so when I say the song is in the key of F, I mean that its chords are based on the F major scale. F is the root of the scale, B flat is the fourth note of the scale and C is the fifth note of the chord. Because of this we can say that F is the I chord, B flat is the IV chord, and C is the V chord. These three chords are the most popular chords in modern music. A lot of the songs you hear on the radio are written with just those three chords, although in a variety of keys. Play around with the chords on your keyboard. You can put them in any order you like. For variety you can pick out individual notes of the chord instead of playing the whole thing at once. You can also play around with the pattern in which you play those individual notes of the chords, or play around with different inversions.
Relative Keys
The Circle of Fifths is more than just a pretty diagram Perfect Fifths
A perfect fifth is simply the interval between two notes a fifth apart. So that would be from C to the G above it, D to the A above it and so on. If you are looking at a piano keyboard, to find a perfect fifth all you need to do is go up seven half-steps (seven consecutive notes, white and black) from your starting note and the note you reach is a perfect fifth higher than the one you started on. In the illustration below, the G note would be the perfect fifth up (seven half-steps) from the C note. Within the Circle of Fifths, G Major would be the next key up from C Major because of its perfect fifth position on the keyboard.
The circle of fifths is built on intervals. Going clockwise around the circle, every note is a perfect fifth above the previous one. C has no flats or sharps. G, on the other hand, has one sharp and is consequently a perfect fifth above C. Moving around the circle, D is exactly a perfect fifth above G and has 2 sharps. At the quarter mark, A is a perfect fifth above D and has three sharps, and so on.