(51) This does not require a distinction between temporal and atemporal existence, or between eternal and sempiternal existence, but it does seem to require at minimum a distinction between tensed and untensed assertions.

Sykes was reportedly annoyed because Coldplay's cover for A Head Full of Dreams album is similar to BMTH's Sempiternal.

1894: 5), while others seemed surprised that such a show still attracted audiences given that it "was originally produced in the Ark and is sempiternal" (The Bury and Norwich Post, 5 Apr.

Teaching as a profession is fraught with sempiternal difficulty as it is a profession that does not claim just time and energy but brings with itself an immense responsibility of building futures.

("East Coker" I) Between midnight and dawn, when the past is all deception, The future futureless, before the morning watch When time stops and time is never ending ("Dry Salvages" I) Midwinter spring is its own season Sempiternal though sodden towards sundown, Suspended in time between pole and tropic.

Try these: Bring Me The Horizon: Sempiternal; Korn, Follow the Leader Rating: THE FAMILY RAIN: UNDER THE VOLCANO TEN tracks of raw, New Wave-y R&B, this first effort by Bath brothers Will, Ollie and Tim Walters is every inch a typical debut.

Antonakos always understood the sempiternal significance of the icon (he was also a friend of the Jesuit Byzantinist Thomas F Mathews).

Exploding straight away with the one two punches of tracks 'Can You Feel My Heart' ' and the huge single 'Shadow Moses'' from latest album 'Sempiternal'' I knew straight away I had been wrong about this band.

sempiternal; anacoluthon, abrupt change in syntax in a sentence;

Yes, the visual-vocal movie argot was well spoken to satisfy the sempiternal conflict between goodies and baddies, and the non-negotiable requirement by Americans that movies have happy endings.

Bring Me The Horizon - Sempiternal The Yorkshire metallers, led by Oliver Sykes, are back with Sempiternal (everlasting time).

We should wonder whether recent hooligan music scores have not become the new and most effective instrument of the 'heritage' mood of today, and should welcome further study on the aesthetic negotiations between the media's hooligan and the films' mystified "faux thug" (Neville 2011: 33) so as to balance out what could potentially determine the final, sempiternal words to be engraved in the palimpsest of 1980s British history.

The compulsive return of this vision, as a magic spectacle, produces a "solid and unchanging" notion of Englishness in the novel, momentarily restoring the otherwise fragmenting national allegories: "Repetition had become a comfort in her antiquity; the well-worn phrases, unfinished business, grandstand view, made her feel solid, unchanging, sempiternal, instead of the creature of cracks and absences she knew herself to be" (130).