Even Hitchcock had to doff his cap to Henri-Georges Clouzot, the French master of suspense behind classic thrillers The Wages of Fear and Les Diaboliques.

#bornonthisday

Mark Kermode explores how Argento's shocker became the bench-mark for Italian thrillers.

Mark Kermode jaunts through Alex Barrett’s contemporary city symphony.

One of the best films of 2007, the Coen brothers’ border-country thriller No Country for Old Men turns 10 today. Mix and match any of these five classics for the perfect anniversary double bill.

Powell and Pressburger’s war-time fantasy is being brought back to UK cinemas in December. To celebrate Henry Barnes talks to author Xan Brooks and historian Hollie Price about the genesis of their magic propaganda.

In the embers of a broken city, the dead can walk.

That's the essence of a great thriller that asserts its authority over the genre.

Carol Reed frames it at a tilt, embracing sewers and zithers and cuckoo clocks to create art that defies time.

The camerawork is stark and sharp, allowing Graham Greene's script to bloom and a man called Harry to skulk in the shadows and commune with the vermin.

Three hot tickets at this year’s #LFF including a film which compares to Andrei Tarkovsky’s Mirror and Robert Bresson’s Une femme douce.

From girl-powered punk to G funk. #LFF