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The
Website of Quentin Smith
This website reprints some articles published in philosophy
journals, a reprint of the temporarily out-of-print book The Felt
Meanings of the World: The Metaphysics of Feeling, and reprints some
physics essays published in anthologies. See
CV
for list.
This website also contains reprints of some
poems published in poetry journals and some unpublished poems. There is a
seperate website for paintings.
(Currently, the website is being
reconstructed to differentiate files meant for specialists from files meant
for the general public).
Address:
Professor Quentin Smith
Philosophy
Department
Western
Michigan University
1903 Western Michigan Ave
Kalamazoo, MI 49008, USA
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The
areas of philosophy in which Dr. Quentin Smith works are Philosophy of Time,
Philosophy of Physics, Philosophy of Physical Cosmology, Metaphysics,
Ethics, Philosophy of Religion and Naturalism, Existentialism and
Phenomenology, and the Philosophy of Science. He teaches in the Philosophy
Department at Western Michigan University, Kalamazoo Michigan. |
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Quentin Smith is the University
Distinguished Faculty Scholar (from 2002) at
Western Michigan University
and also Professor of Philosophy (from 1995). He works primarily in
certain areas in philosophy, such as
Metaphysics,
Philosophy of Religion, Atheism, and Naturalism,
Philosophy of Time,
Philosophy of Language,
Ethics,
Philosophy of Physical Cosmology and Philosophy
of Physics,
The History of Analytic Philosophy,
and
Existentialism and Phenomenology.
Among philosophy professors, he is mostly known for his work on the
philosophy of time, philosophy of religion, naturalism and atheism, and
philosophy of big bang cosmology and quantum cosmology. Most of the
philosophical works written about
Dr. Smith are in the areas of philosophy of time and
philosophy of religion, naturalism and atheism. Regarding questions about
religion, God, naturalism and atheism, Quentin of the Smith's work argues
that big bang cosmology and quantum cosmology are inconsistent with the
existence of God, and are the main topics discussed in the literature on
Quentin Smith's work on
atheism, naturalism, and the existence of God.
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Smith's position is that big bang cosmology and quantum
cosmology confirm atheism or at least the belief that God probably does not
exist. Quentin Smith is more interested in answering the question about why
the universe exists than he is in the question, does God exist or is atheism
true? And he regards the hypothesis that God created the big bang or a
quantum universe merely as one of several hypotheses about the best way to
understand big bang cosmology and quantum cosmology. His philosophy of time
overlaps with his philosophy of language, for his main position is that the
best explanation of why language has tenses is that pastness, presentness
and future are objective features universe. Quentin Smith has published four
books on time, two books on atheism
and the philosophy of religion, one book on physical cosmology, one book on
existentialism and phenomenology (on his "metaphysics of feeling"), and one
book on the philosophy of mind. Also, he has published approximately 120
articles in scholarly academic journals and edited books. Quentin Smith?s
other publications on other topics are can be found in his
vita. |

Quentin Smith's work is also studied, and written about, in fields other
than philosophy. For the most part, these fields are linguistics, physics
and poetry. Smith's article "The Multiple Uses of Indexicals" has been one
of the most influential contemporary papers in the field of linguistics,
since its first publication in 1989. Smith's writings on physics,
specifically on classical big bang cosmology, semi-classical big bang
cosmology and quantum gravity cosmology have been studied and discussed by
physicists who work in this area. Stephen Hawking, James Hartle, Roger
Penrose, Andrei Linde, Arthur Vilenkin, and
Christopher Isham are some of the physicists who work, in private or in
print, with Smith in this area. Quentin Smith is also known among physicists
as the originator, in 1990, of natural selection cosmology, i.e., the theory
that there are many universes, each of whose big bang is a black hole in
another universe. |
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This theory was developed in Smith's "A
Natural Explanation of the Existence and Laws of Our Universe"
(1990), and his development of it, to include quantum gravity, appears in
his "The
Black Hole Origin Theory of the Universe and Quantum Gravity" (2000; 2004). (The physicist Lee Smolin independently rediscovered this theory in
1992 and in his 1997 book The Life of the Cosmos, but the equations
that form the necessary mathematical heart of this theory can only be found
in Smith's two articles.)
Quentin Smith's
poetry has been published by such national poetry journals
as The Shore Review, Wind, and The Kentucky Poetry Review
since the 1970s and he acceded to the request to have some of his poems
published in a forthcoming book consisting only of his poetry, entitled
Echoes from the Edge of the Universe: A Book of Poems. |

Quentin Smith's first exhibition of his
paintings was in 1971. His most
recent upcoming exhibition in 10-7 to 11.21, 2003 in the Gallery of Lee
Honors College. Seven of his most recent paintings appear in Art in
America, Fall 2003. Professor Smith's
paintings are based on the idea that
the dissolution of canvas paintings into multimedia art should be understood
as the dead end result of the traditional assumption in painting that
"progress is changing the form of paintings", as Smith has worded it in the
terminology of his philosophy of art. Smith believes that canvas painting
and multimedia are two distinct kinds of art and that the tradition of
canvas painting is entering a new area where the only criterion of progress
is
"changing the content of paintings". The idea that form has value only as a
means to content is witnessed in Dr. Smith's paintings, where the forms of
Abstract Expressionism, Cubism, Norwegian Expressionism, and Surrealism are
used only insofar as they are a means to presenting the content. In terms of
contemporary categories, |
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Smith's
paintings would fit into the school
of postmodernism. Quentin Smith titles his
paintings "Painting Number One",
Painting Number Two", etc., in order to reverse the common practice of
titling paintings by their surface content, but which are largely irrelevant
to its underlying metaphysical or existential content. Using
the criterion of surface content to title a painting emphasizes that form is
the important part of the painting and that little attention should be paid
to the underlying content, which can be briefly dismissed by a title about
its surface content. Quentin Smith, by numbering his
paintings, poses to the viewer the
question "what is the content?" and invites attention to the underlying
content and only secondarily to the form, motivating the viewer to bypass
the irrelevant surface content. Smith is opposed to using oil paints rather
than acrylics, despite the advantages of oil paints in creating certain
colorings, since only acrylics allows the "instantaneous inspiration that is
the essence of creating art". |
-By
Qsmithwmu.com Webmaster, April 2002
Excerpt from the beginning of
Webmaster's
interview with Quentin Smith:
Webmaster:: "Hello. How are you today?"
Quentin Smith: "It is as if I am small and have chosen to crawl along
the blade's sharpened edge, the only way over the mysterious fire, as my
pathway from birth to death."

Since February 2002 there have been the following number of
visitors to the website:
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Since February, 2002
This website is in progress. It
is being constructed by
Quentin Smith's webmaster
for University Public Relations, who fund the site. Dr. Smith is not
responsible for its organization, structure and construction of the content.
The website will eventually include all of all his (over one hundred)
articles, chapters of his books, all his paintings, poetry, videos with
audio of his national television and radio appearances and videos with audio
of some of his talks.
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