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*Lanza, Joseph. [[1994]]. ''Elevator music: a surreal history of Muzak, easy-listening, and other moodsong.'' Novi Eboraci: St. Martin's Press. ISBN 0312105401.
*Lanza, Joseph. [[1994]]. ''Elevator music: a surreal history of Muzak, easy-listening, and other moodsong.'' Novi Eboraci: St. Martin's Press. ISBN 0312105401.
*Lanza, Joseph. [[2008]]. "Zing! Went the strings." In ''Sound Unbound:Sampling Digital Music and Culture,'' ed. Paul D. Miller. Cantabrigiae, Massachusettae: MIT Press. ISBN 0-262-26646-6.
*Lanza, Joseph. [[2008]]. "Zing! Went the strings." In ''Sound Unbound:Sampling Digital Music and Culture,'' ed. Paul D. Miller. Cantabrigiae, Massachusettae: MIT Press. ISBN 0-262-26646-6.
*Murray, Noel. [[2011]]. "Sunshine Pop." ''The A.V. Club,'' 7 Aprilis 2011. [http://www.avclub.com/article/sunshine-pop-54224 Editio interretialis.]
*Murray, Noel. [[2011]]. "Sunshine Pop." ''The A.V. Club,'' 7 Aprilis 2011. [https://web.archive.org/web/20160906031319/http://www.avclub.com/article/sunshine-pop-54224 Editio interretialis.]
*Musiker, Naomi, et Reuben Musiker. [[2014]]. ''Conductors and Composers of Popular Orchestral Music: A Biographical and Discographical Sourcebook.'' Routledge. ISBN 978-1-135-91770-8. [https://books.google.com/books?id=ipnrAgAAQBAJ&pg=PT16 Google Books.]
*Musiker, Naomi, et Reuben Musiker. [[2014]]. ''Conductors and Composers of Popular Orchestral Music: A Biographical and Discographical Sourcebook.'' Routledge. ISBN 978-1-135-91770-8. [https://books.google.com/books?id=ipnrAgAAQBAJ&pg=PT16 Google Books.]
*Rosen, Jody. [[2005]]. "The Musical Genre That Will Save the World." ''Slate,'' 7 Iunii 2005. [http://www.slate.com/articles/arts/music_box/2005/06/the_musical_genre_that_will_save_the_world.html Editio interretialis.]
*Rosen, Jody. [[2005]]. "The Musical Genre That Will Save the World." ''Slate,'' 7 Iunii 2005. [http://www.slate.com/articles/arts/music_box/2005/06/the_musical_genre_that_will_save_the_world.html Editio interretialis.]

Redactio novissime (die 2 Augusti 2024, hora 15:26) facta

Barbra Streisand anno 1995.

Musica oblectabilis[1] est genus musicae popularis et forma radiophonica, quae populo ab annis 1950 ad annos 1970 gratissima erat.[2] Quod genus ad mediocritatem musicae ex fontibus musicae levis et "big band" promptam refertur,[3] atque instrumentales usitatorum et trivialium carminum in phonodiscis taeniisque impressiones nec non versiones mutuatas selectarum cantilenarum rock populo gratarum amplectitur. Musicam ex aetate ante musicam rockicam maximam partem exprimebat, plerumque musicam ex annis 1940 et 1950. A forma musicae pulchrae[4] plerumque instrumentalis variis modis distinguebatur, inter quos erant certae proportiones cantuum, accommodationum instrumentalium, et temporum ad varias diei emissionum partes aptandas.

Musica auscultationis facilis cum musica abscedentiorum? (Muzak) et musica exedriorum? saepe confunditur, sed,quamquam populo in nonnullis locis grata erat, pro delectatione, non abscedentiis, destinabatur.

Inter subgenera ex auscultatione facili orta sunt chill-out music,[5] sunshine pop,[6] adult contemporary, space music, ambient music, exotica, musica exedriorum, et vaporwave.

Musici qui musicae oblectabili favebant

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Historia cantorum musicae auscultationis facilis vel exedriorum primis saeculi vicensimi decenniis orta est. Inter notissimos musicae auscultationis facilis cantores erant Franciscus Sinatra, Bing Crosby, Dean Martin, Antonius Bennett, Dionne Warwick, Gulielmus Kenny, Astrud Gilberto, Mathaeus Monro, The Carpenters, multique alii. Lacertus exedriorum (Anglice lounge lizard), vocabulum aliquantum irridens, illo tempore fictum est, et cantores obscuri vel haud periti dinosauria aetatum praeteritarum per ludibrium saepe appellabantur,[7] atque adeo ob oleosam normarum perfunctiones irridebantur.[8]

Annis 1990 ineuntibus, renovatione exedriorum nuper vigente, greges Combustible Edison, Love Jones, The Cocktails, Pink Martini, et Nightcaps populo grati sunt. Stereolab, grex alternativus, gratiam musicae exedriorum in Space Age Bachelor Pad Music et serie discorum Ultra-Lounge appellatorum monstrabat. Modus exedriorum musicae grunge directe adversabatur, quae autem in aetatem dominabatur.[9][10]

Notabiles ausculationis facilis artifices

[recensere | fontem recensere]
Burt Bacharach anno 2000.
Raimundus Conniff et suus canis anno 1979.
Georgius Zamfir et sua syrinx anno 2008.
Ricardus Clayderman anno 2006.
Michael Bublé anno 2011.
Dean Martin anno 1959.
Neil Diamond anno 2007
Olivia Newton-John anno 1988.
Pink Martini anno 2016.

Nexus interni

Notae

[recensere | fontem recensere]
  1. ↑ Reijo Pitkäranta, Lexicon Finnico-Latino-Finnicum. WSOY, 2001, s.v. Viihdemusiikki.
  2. ↑ Lanza 2008: 161.
  3. ↑ Keightley 2012: 192.
  4. ↑ Keightley 2012: 192.
  5. ↑ Rosen 2005.
  6. ↑ Murray 2011.
  7. ↑ "American Notes LAS VEGAS: Stop the Music!" Time, 21 Augusti 1989; editio interretialis.
  8. ↑ Edler 2001.
  9. ↑ Spindler 1995.
  10. ↑ Lacayo 1998.

Bibliograpia

[recensere | fontem recensere]

Nexus externi

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