
Vietnamese Art Has Never Been More Popular. But the Market Is Full of Fakes.
Prices have topped $1 million, but national museums and major auction houses have promoted works later said to be fraudulent.
Content-Length: 170799 | pFad | https://web.archive.org/web/20170812153148/https://www.nytimes.com/pages/arts/design/index.html
nterest-cohort=()Advertisement
Prices have topped $1 million, but national museums and major auction houses have promoted works later said to be fraudulent.
By RICHARD C. PADDOCK
The exhibition, at the Pulitzer Arts Foundation in St. Louis, draws together artists who put race on a spectrum of meanings that runs from polemical to personal and poetic.
By HOLLAND COTTER
An exhibition at the Art Institute of Chicago looks beyond Paul Gauguin, the lout of Tahiti, to ceramic and wood objects that spoke in a new artistic language.
By JASON FARAGO
Group shows leave an impression at New Release and Matthew Marks, and Karl Salzmann considers the psychological and emotional effects of sound.
By ROBERTA SMITH, HOLLAND COTTER and MARTHA SCHWENDENER
She roamed the streets of New York, camera in hand, finding opportunity at every corner.
By WILLIAM GRIMES
Peter Menéndez, a retired architect, fled Havana as a child and has long championed the work of others from Cuba.
By BRETT SOKOL
Five versions, in institutions on three continents, will be reunited on social media, and a Facebook Live on Monday will feature live commentary on each.
By JON HURDLE
Gregory Ain’s most important design was for a modern house commissioned by MoMA. It’s been missing for six decades.
By PHILLIP R. DENNY
A conversation with Pete Souza and dozens of events and exhibitions will fill the growing Brooklyn photography festival in September.
By SOPHIE HAIGNEY
Fetched URL: https://web.archive.org/web/20170812153148/https://www.nytimes.com/pages/arts/design/index.html
Alternative Proxies: